List of Hindi Horror Movies

               This is a list of hindi horror movies which is by no means complete, there are many great hindi films out there. Here are some of the most popular and horrific hindi movies.

• Kafan (1990)
• House No. 13 (1991)
• Raat (1992)
• Kaun? (1999)
• Raaz (2002)
• Hawa (2003)
• Bhoot (2003)
• Kucch To Hai (2003)
• Dhund:The Fog (2003)
• Darna Mana Hai (2003)
• Sssshhh... (2003)
• Vaastu Shastra (2004)
• Krishna Cottage (2004)
• Do Gaz Zameen Ke Neeche (1972)
• Andhera (1975)
• Darwaza (1978)
• Jaani Dushman (1979)
• Guest House (1980)
• Gehrayee (1980)
• Hotel (1981)
• Purana Mandir (1984)
• Dak Bangla (1987)
• Veerana (1988)
• Purani Haveli (1989)
• Bandh Darwaza (1990)
• Naina (2005)
• Kaal (2005)
• Darna Zaroori Hai (2006)
• Darling (2007)
• Bhool Bhulaiyaa (2007)
• Phoonk (2008)
• 1920 (2008)
• Raaz:The Mystery Continues (2009)
• 13B (2009)

Hi Guys After The long  Break am writing this blog again actually now i dont have any thing to upload but within this week ll update my blog.......

Lost glory of Kempambudhi Lake

"The Lost Lakes of Bangalore" is a project to document Bengaluru's many tanks and lakes which have vanished with unplanned urbanization and growth.
This video by Rajesh M, Shilpa V, Anup Bhat N, Manjunath B N and Shiv Shankar from Ken School of Art talks about Kempambudhi Lake which is located in Basavanagudi. This lake was built by Kempegowda and is 36 acre.
To Watch This 
Click on below link:
http://www.youtube.com/watch?v=Nu5CLnEE4As

"AND GIVE COMMENTS"

HAUNTED BRITAIN-Real Ghost Story.

Rokkk- Review

                  Horror films made in India follow standard rules and guidelines. Every possible ingredient that viewers have witnessed since the Ramsay era automatically finds its way into horror films even today. Rokkk too borrows everything available on the shelf.

Rokkk hinges on a half-baked script, but what saves the film from complete breakdown is the execution of the material by debutante director Rajesh Ranshinge. The proceedings may be far from innovative, but keep you hooked nonetheless.

Anushka [Tanushree Dutta] weds an elderly man Ravi [Sachin Khedekar], who has remarried after the death of his first wife. Anushka's mother [Nishigandha Wad] refuses to accept their relationship.

Anushka and Ravi begin their journey in a beautiful home that Ravi gifts Anushka. However, strange and quirky things start happening there. Anushka tries to share her experiences with Ravi, who in turn thinks that his wife is hallucinating. They decide to move back to their earlier home, but the incidents don't seem to stop.

Anushka seeks advice from a healer [Arif Zakaria] and tries to discover the motive behind these unexplainable incidents. The story takes a turn when Anushka murders her husband and sister-in-law. Ahana [Udita Goswami], Anushka's sister, begins her journey to rescue her.

Horror movies ought to have a great start and a pulse-pounding finale. Unfortunately, ROKKK has a lacklustre start and a convenient finale, with the makers leaving scope for a sequel, if the film works. The film suffers due to inept writing, with several questions remaining unanswered till the end.

No reasons are offered why Tansuhree marries a man much older to her, except a fleeting reference by Udita. No reasons are offered when Tanushree enquires about the circumstances that led to the death of Sachin Khedekar's first wife. That's not all, Tanushree even manages to escape from the asylum even though the spirit almost gets her. Now that's difficult to gulp!

But things do stabilise in the post-interval portions. The spirit now set her sights on Udita and the sequence in the elevator sets the ball rolling. Ditto for two more sequences - [i] Arif Zakaria wanting to free the mansion from the spirit and [ii] Ashwini Kalsekar's story of how the blood-thirsty spirit came into being.

With the film holding your attention in the second hour, you expect the finale to reach its zenith, but it does an about-turn and touches the ebb. Tanushree's re-emergence on the scene is formulaic and ruins the impact. If the writing is patchy, the effects are tacky and the background score relies on the same sounds that one has come to expect from horror films.

Both Tanushree and Udita try to make the proceedings watchable. Udita is efficient, while Tanushree uses her eyes effectively to express fear. Shaad Randhawa is decent. Sachin Khedekar is okay. Ashwini Kalsekar is the best of the lot. Murli Sharma and Nishigandha Wad don't get much scope. Arif Zakaria is perfect. On the whole, Rokkk is ordinary at best!

Directed by - Rajesh Ranshinge

Starring - Udita Goswami, Shaad Randhawa

Rokkk - Trailer First Look - Tanushree Dutta, Udita Goswami & Sachin Khedekar

Review

Horror films made in India follow standard rules and guidelines. Every possible ingredient that viewers have witnessed since the Ramsay era automatically finds its way into horror films even today. Rokkk too borrows everything available on the shelf.

Rokkk hinges on a half-baked script, but what saves the film from complete breakdown is the execution of the material by debutante director Rajesh Ranshinge. The proceedings may be far from innovative, but keep you hooked nonetheless.

Anushka [Tanushree Dutta] weds an elderly man Ravi [Sachin Khedekar], who has remarried after the death of his first wife. Anushka's mother [Nishigandha Wad] refuses to accept their relationship.

Anushka and Ravi begin their journey in a beautiful home that Ravi gifts Anushka. However, strange and quirky things start happening there. Anushka tries to share her experiences with Ravi, who in turn thinks that his wife is hallucinating. They decide to move back to their earlier home, but the incidents don't seem to stop.

Anushka seeks advice from a healer [Arif Zakaria] and tries to discover the motive behind these unexplainable incidents. The story takes a turn when Anushka murders her husband and sister-in-law. Ahana [Udita Goswami], Anushka's sister, begins her journey to rescue her.

Horror movies ought to have a great start and a pulse-pounding finale. Unfortunately, ROKKK has a lacklustre start and a convenient finale, with the makers leaving scope for a sequel, if the film works. The film suffers due to inept writing, with several questions remaining unanswered till the end.

No reasons are offered why Tansuhree marries a man much older to her, except a fleeting reference by Udita. No reasons are offered when Tanushree enquires about the circumstances that led to the death of Sachin Khedekar's first wife. That's not all, Tanushree even manages to escape from the asylum even though the spirit almost gets her. Now that's difficult to gulp!

But things do stabilise in the post-interval portions. The spirit now set her sights on Udita and the sequence in the elevator sets the ball rolling. Ditto for two more sequences - [i] Arif Zakaria wanting to free the mansion from the spirit and [ii] Ashwini Kalsekar's story of how the blood-thirsty spirit came into being.

With the film holding your attention in the second hour, you expect the finale to reach its zenith, but it does an about-turn and touches the ebb. Tanushree's re-emergence on the scene is formulaic and ruins the impact. If the writing is patchy, the effects are tacky and the background score relies on the same sounds that one has come to expect from horror films.

Both Tanushree and Udita try to make the proceedings watchable. Udita is efficient, while Tanushree uses her eyes effectively to express fear. Shaad Randhawa is decent. Sachin Khedekar is okay. Ashwini Kalsekar is the best of the lot. Murli Sharma and Nishigandha Wad don't get much scope. Arif Zakaria is perfect. On the whole, Rokkk is ordinary at best!

Directed by - Rajesh Ranshinge

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